SELECTED WORK //
Gustavo lives in constant motion.
Between cities, styles, references, and formats.
He's completely obsessed with anything visually interesting:
from '70s album covers to Soviet matchbox designs.
If he could, he’d put them all on an imaginary shelf he swears
he’ll build “as soon as he has the time.”
He's an art director, but could easily be a not so good gamer,
a DJ of playlists that no one listens to, or an old film cameras collector.
For now, he’s happy coming up with fun ideas for brands
and losing track of time tweaking prompts or chasing the perfect typography.
Matsuda has lived all over Brazil and now calls Canada home
spending part of the year dodging the cold, and the other dodging generic briefs.
He’s always keeping up with what’s trending, whether it’s a new
After Effects trick, a TikTok filter, or a Tumblr-era aesthetic making a comeback.
That’s Gustavo: driven by pixels, playlists, and a passion
for anything you can see, hear, or turn into an idea.
Between cities, styles, references, and formats.
He's completely obsessed with anything visually interesting:
from '70s album covers to Soviet matchbox designs.
If he could, he’d put them all on an imaginary shelf he swears
he’ll build “as soon as he has the time.”
He's an art director, but could easily be a not so good gamer,
a DJ of playlists that no one listens to, or an old film cameras collector.
For now, he’s happy coming up with fun ideas for brands
and losing track of time tweaking prompts or chasing the perfect typography.
Matsuda has lived all over Brazil and now calls Canada home
spending part of the year dodging the cold, and the other dodging generic briefs.
He’s always keeping up with what’s trending, whether it’s a new
After Effects trick, a TikTok filter, or a Tumblr-era aesthetic making a comeback.
That’s Gustavo: driven by pixels, playlists, and a passion
for anything you can see, hear, or turn into an idea.